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Download PDF by : A Companion to Digital Art (Blackwell Companions to Art

ISBN-10: 1118475186

ISBN-13: 9781118475188

Reflecting the dynamic creativity of its topic, this definitive advisor spans the evolution, aesthetics, and perform of today's electronic artwork, combining clean, rising views with the nuanced insights of top theorists.

• Showcases the severe and theoretical ways during this fast-moving self-discipline
• Explores the historical past and evolution of electronic paintings; its aesthetics and politics; in addition to its usually turbulent relationships with demonstrated associations
• offers a platform for the main influential voices shaping the present discourse surrounding electronic paintings, combining clean, rising views with the nuanced insights of prime theorists
• Tackles electronic art's basic functional demanding situations - the best way to current, record, and protect items that may be erased perpetually by means of swiftly accelerating technological obsolescence

Up-to-date, forward-looking, and seriously reflective, this authoritative new assortment is proficient all through via a deep appreciation of the technical intricacies of electronic artwork

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Additional resources for A Companion to Digital Art (Blackwell Companions to Art History, Volume 9)

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He surveys the process of “learning the work” through the initial conservation assessment and artist interview; the capture and storage of the piece; and the role of emulation, virtualization, as well as recreation, reinterpretation, and replacement as preservation strategies. Jon Ippolito’s “Trusting Amateurs with Our Future” shifts the focus of preservation to practices outside of the institution. He addresses “unofficial” preservation practices and illustrates why they can sometimes be more effective than professional endeavors.

Coming from very different perspectives, the chapters in this section strive to provide a framework for approaching the sociopolitical context of digital art and its history. 14 ◼ ◼ ◼ C h r i s t i a n e Pa u l Digital Art and the Institution For decades, the relationship between digital art and the mainstream artworld and institutions has been notoriously uneasy. When it comes to an in‐depth analysis of the complexities of this relationship, a lot of groundwork remains to be done. Key factors in this endeavor are investigations of art‐historical developments relating to techno­ logical and participatory art forms and their exhibition histories; as well as continuous assessment of the challenges that digital media art poses to institutions and the art market in terms of presentation, collection, and preservation.

1968a. Beyond Modern Sculpture: The Effects of Science and Technology on the Sculpture of This Century. New York: George Braziller. Burnham, Jack. 1968b. ” Artforum. Burnham, Jack. 1969. ” Artforum. ◼◼◼ Introduction 19 Giannetti, Claudia. 2014. Ästhetik des Digitalen: Ein intermediärer Beitrag zu Wissenschaft, Medien‐ und Kunstsystem. Vienna, New York: Springer. Gere, Charlie. 2008. ” In New Media in the White Cube and Beyond, edited by Christiane Paul. Berkeley, CA: University of California Press.

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A Companion to Digital Art (Blackwell Companions to Art History, Volume 9)


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